I don’t know if you knew it or not but before KISS took their makeup off in the 80’s they were actually four black guys under costumes and greasepaint!

Black KISS in their dressing room circa mid 1970's

Black KISS in their dressing room circa mid 1970

This was such a fun sketch to Production Design. The script called for a super run down front yard, a 70’s era dressing room for black KISS and to build a concert stage to match the original Gene Simmons concert footage. Of course we had to tweak the look of the KISS logo because, even though Comedy Central was OK with claiming KISS was a bunch of black guys before removing their makeup in the 80’s, using the real logo is a no-no.

Click here to watch KISS My Ass

Josh, Shane, Dalton and Nandor built the tank and canon to match the KISS stage in the 70’s and the KISS lights in the background are the lights from the ‘Black Daddy’ sketch, just painted black and reformatted. As always, they pulled it together in a few hours the day before the shoot.

DAG as black Gene

DAG as black Gene

We shot the exteriors in Sylmar on probably the hottest day of the summer and the stage and dressing room at the Henry Fonda in Hollywood on the same day as 3 other scripts. Those were two intense days, but we spent some money we didn’t have, made some magic happen and everyone was happy. Except for Jim Ziegler when he got the bill.

Here is an example of a live studio audience piece we did for one of the last episodes of Mind Of Mencia.

This sketch has to be on stage in less than 2 days.

This sketch has to be on stage in less than 2 days.

The script called for a crack alley that will play in front of the live audience during the taping. The art department got the script a few days before the shoot, and in the middle of two other field shoots, pre-tapes and cold open set construction this is what we came up with. First I drew the sketch, then Bianca Ferro waved her set decorator magic wand and found all the pieces and had the major pieces built and painted, Josh and Shane brought it to life building the telephone poles and Ron found some scary realistic drug props (hmmm, how did he find them). Here is what it looked like at show time.

The grey floor is just carpet with black tape to make the cracks.

The grey floor is just carpet with black tape to make the cracks.

What makes these sets difficult is they all have to be mobile and be set up during a commercial break in front of the audience in less than 8 minutes. Then after the sketch is finished it needs to be struck and gone in even less time to move on to the next segment. Not to mention it has to be made under budget and be staged for over a dozen actors and camera blocking, usually in less than 2 days.

Here is the set in action. We miss you Ned.

Costume design by Alison Freer, photos by Randy Shropshire

Costume design by Alison Freer, photos by Randy Shropshire

New Yorkers love David Alan Grier

New Yorkers love David Alan Grier

Last December we did this pilot for Comedy Central, started shooting the series this summer and now it is airing and is getting great ratings. For this I am happy, the show is really funny, everyone on the show is great to work with, David Alan Grier is a genius and the entire art department is the most talented group of people I have ever met.

Two thirds of the Chocolate News art departmentTwo thirds of the Chocolate News art department
Candleabra competing in a tranny pageantCandleabra competing in a tranny pageant
'Maya' loves Obama‘Maya’ recites poetry for Obama and McCain

Next Wednesday we are shooting a ‘day after the election’ show that will air that night on Comedy Central, or you can check out clips and other random madness at comedycentral.com

This is a presentation tape I shot way back in 2005. I had the idea after an emotional and drunken game of Celebrity at Mike and Kay’s house a few months before after Thanksgiving dinner.

We pulled together an amazing crew and cast. My friend Richard Valenzuela directed, Kaylyn Thornal edited and the incredible Darren Rydstrom was the cinematographer. Everything seemed perfect. Janet and I had just finished the Lisa Loeb show presentation tape, we had a new agent and, well, what could go wrong? After VH1 didn’t pick up the Lisa pilot, we ended up selling the it to E! and TV Land picked up Celebrity. One, two punch. A budget was made, studios were scouted and our deals were made. And then it just sat there. Forever.

Eventually all the executives at TV Land moved on to new jobs and we got the project back…and nothing happened.

We pitched it to over two dozen places and came close a few more times. 36 months later I had just assumed it would end up being a dusty dvd on my bookshelf. Until this week. Fingers crossed-there may be some life in this little baby yet.

Sad fact: Lisa Loeb was supposed to be a player but her car was stuck in her garage that night. A friend was at her house earlier in the day, asked to leave their car in the driveway to visit another friend and well, that ended that. Car stuck in garage.

This post has 3 comments
  • Téa B -
  • hahaha Lisa, it’s called a bus ;) Or do you guys not do the bus thing in LA? When I come there I was expecting to just use public transport and cabs, but it doesn’t seem to be the done thing.

    PS, I upgraded your blog. Stuff is happening… how excitement!

  • 10-20-2008
  • admin -
  • taking the bus to where you need to go in la…impossible

  • 10-26-2008
  • Jamie -
  • I wish this show all the luck in the world, but that game still strikes fear in me.

  • 10-27-2008

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“Lewis Black’s Root of All Evil” (Wed at 10:30pm) is a hit!  

It’s Comedy Central’s top-rated debut since the launch of “Chappelle’s Show” in 2003! Like “South Park,” it was the No. 1 show in all of television for its timeslot among men 18-34 (2.4/8). For the night, Comedy Central stood as the No. 1 cabler in men 18-24 and 18-34. The influx of young men helped lift “The Daily Show with Jon Stewart” to its most-watched telecast (2.25 million) since October. 

This was a great show to be a part of. I had a small but fierce art crew and it was great to be with Chris, Eric, Alison, Sketch, Devon, Mary-Eileen, Karen and so many more of the amazing Mind of Mencia crew for a couple months.This past week Comedy Central threw a premiere party at Lucky Strike in Hollywood (I missed it) and I have a new DVR that I forgot to program so I missed the episode too. 

I used to reprimand my parents for never seeing the shows I work on, now I have turned into my parents. 

Catch Root Of All Evil every Wednesday at 10:30 on Comedy Central

2008 is here and the Writers Guild Strike is still not settled.

The first ten days of this year have been filled with calls and emails from friends, co-workers and people I haven’t talked to in years all looking for work. Sure, all the late night shows are back on the air but the employees at Conan, Letterman and Leno were paid for the last couple of months even though their shows weren’t on the air. They weren’t exactly victims of the strike. If you weren’t one the lucky hundreds to work in late night then you are (or soon to be) fucked. There are thousands and thousands of people out of work and in danger of losing their health insurance, their houses and savings.

The thing that has worried me most is that the people I know who always have work and are usually the ones to do all the hiring (Line Producers and UPM’s) are unemployed too! Everyone is still on the side of the writers but the cracks are (behind closed doors) starting to show. I have had many conversations with upper level writers and producers and my personal conclusion is that there are some hard-headed stubborn views on both sides that aren’t leading towards any sign of talks or negotiations. In the meantime multiple thousands of industry professionals (paychecks average $750-$2500 a week) are out of work.

Including my friend and sometime partner in crime Alison Freer.

I thought I’d check in and see how she is holding up. 

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My dear Alison, tell me what you do in Hollywood and what your 2007 was like? 

I am a union Costume Designer, Local 892. I, along with a crew of VERY talented ladies (hi Karen, Andrea, Lauren, Jamie!) am responsible for creating the look of the costumes that actors wear. I help bring to life what starts out as mere words written on a page. 2007 was the culmination of everything I have worked for. After years of free/low budget/soul crushing work on shows I disliked, in 2007 I joined the union and worked every day of the year on projects I liked, that were funny or good, with people that either I liked or they at least liked me. 

We all knew the strike was coming, were you able to save some money before the town shut down?  

I was indeed able to squirrel away some cash. I am afraid I was one of the few fortunate ones. But as you know, savings go fast and really, are meant for when I am old and grey. I am lucky, I am just me-no kids in college, needing braces, PS3’s, etc. Please someone write me and explain the difference between PlayStations 1-100. Luckily my father is an accountant and never stops harassing me about my saving money. So, thanks Dad! This Bud’s for you. I hope and pray for a resolution that may come too late for some of my brethren.

How has the strike affected you, your crew and vendors so far?

I for one am considering working again at the retail level-I was always good at selling unnecessary shit to people-isn’t that what TV is?  It’s heartbreaking to not be able to offer a steady paycheck to the chicks (Costumers) that have gotten my ass out of a jam for years. I want to open my wallet and write big checks like Dave Letterman. Many vendors I know that have bent over backwards and made me the Designer I am today are in real danger of losing everything. How can the world be so blind? I live, I breathe, I bleed for my producers, and they are my parents, I shall not ever fail them. I am a warrior, I will die trying, I trust them implicitly, and for that, I am promised that they will take care of me. For them I go face first into battle daily…You can bet that attitude will change once (if?) we are all back to work. Every man for himself?  I am really good at that game too. 

What has been the worst part of 2008?  

Sending emails looking for work sucks. So does seeing people you love having financial hardship when they are the hardest working freaks you know. The uncertainty is what will get me in the end. I truly believe that it will be August before the whole town is back to work. 
The WGA will not back down-and SAG will go out with them come June. 
Writers may not be very likeable, but the George Clooneys of the world are charming like nobody’s business. Ya wanna see the court of public opinion then?  

If the strike goes on forever what would your fantasy career change be? 

Well, ideally a supermodel, race car driver or superhero, but realistically I would love to be a trend forecaster for a large company of suits that needs a hipster on the payroll. I will be 100 years old, still clocking what the rad kids are wearing.  Seeing where they are going.  I’m that good. And I always get what they are trying to say. Hell, I’m 36 years old, still making a statement myself every time I walk out the door. HEAR ME ROAR WORLD. I am coming to get you. And I’m gonna sell it to the masses. Alternatively, my late dog Lucky who died in 2007 makes me want to take every animal out of every shelter in the world and take care of them in the way that they deserve. Lucky taught me to be fearless, forget what other people think about you, have faith, be strong, look for the good in people, and believe in yourself. Not bad for someone weighing 7 lbs and having one eye. 

What does mom and dad think about the strike and your current unemployment?

Lots of curse words.  But I must say it is kinda fabulous to be unemployed thru no fault of your own, you can sleep till noon and visit every happy hour in town and they can’t really say “Don’t you think it’s time you got a job?” Or my personal favorite, “You know, it’s a full time job trying to get a job.” It’s also quite brilliant to be employed in a business that my parents don’t fully understand, so they can suggest possible strategies for me to get hired and then say “But of course I don’t understand how your business works.” AWESOME. It also helps that I am self sufficient 3000 miles away not hitting them up for cash or pillaging their fridge. I am lucky that my parents are understanding, loving and supportive.

Is there anything special you would like to say to the heads of the WGA and AMPTP?  

Get with the program, boys! Don’t make us ladies come in there and straighten this thing out and embarrass the shit out of you. Quite seriously, this is a boondoggle and an affront to thousands of hard working people.  I am not sure the writers are 100% right but I know the studios are 100% wrong. Actually I do know the writers are right, what if 75 years ago radio writers were like “Eh, we’ll roll over on this TV thing, it’s nothing special.” There would be no unions to speak of today. We’d all be soulless corporate wage slaves. Instead I am a respected professional with a dental plan. My good friend Kevin who is a tape operator can afford to care for his child with down syndrome. Did Viacom ever stop to think of her? Her name is Maggie, thanks for asking.

OK, I know you are busy staring at the wall, so I won’t keep you, here is my final question: Do you have any survival tips for the thousands of people in the entertainment business that are out of work? 

I love that you remember that my favorite leisure activity is staring at the wall. I get some of my best thinking done that way!

My advice? For what it’s worth…start thinking NOW about what else it is you are good at. Now is the time for plan B. We live in such a different time than during the 1988 strike. Fuck a bunch of movie studios. Let them rot. We are smarter, stronger, more savvy than those that came before us. I guess what I am really trying to say is to stay positive. This is a fight for the ages, indeed. 

You can visit Alison at alisonfreer.com

This post has 1 comment
  • Téa B -
  • What a great interview.

    I am such a naive optimist… that I hope that it is resolved as soon as possible.

  • 1-10-2008

The other show I wrapped this week was The Chocolate News. TCN is a pilot for Comedy Central and was created, written and stars the brilliant David Alan Grier (you remember him from In Living Color). The show is a spoof of news magazine shows like 20/20 and Primetime Live but with a very black point of view. We shot thirty seven scenes in three days, those of you in the business know that’s pretty insane, but DAG is so much fun to be around we barely noticed the hectic pace. Here are some pictures I took on set. 

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Troy is only 10 years old so we built him a nice bedroom…

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but don’t make little Troy mad… 

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because he will kick the shit out of your set…

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Here Josh and Shane model the special couch they made…

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and here it is in use…

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And finally, meet Phat Man, he was kind enough to perform for some elementary school kids…

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The Chocolate News is a pilot, which means who knows what will happen. I hope it gets picked up because I can’t even begin to describe how funny David Alan Grier is in his crazy costumes. Phat Man was unreal, I could barely keep it together while they were shooting it. I wonder if there if it would help to light a chocolate candle?